OPEN CALL
Applications are now open. Access the application form and pay close attention to the dates and detailed information.
2025
Since 2018, Uncool Artist has hosted an international art residency program in Brooklyn, NY. Our program prioritizes emerging and underrepresented artists who value collaboration, experimentation, and shared experiences. It offers a deep critical approach to artistic development and to unique spaces, mentors, and curators. Artists also have the opportunity to participate in a curated exhibition. Located in the Brooklyn Navy Yard, our studio connects artists to a dynamic and creative hub, offering a rich artistic growth and networking environment.
*UA Residency space is in Building 77 at the Brooklyn Navy Yard: 141 Flushing Ave, AKA Building 77, Unit #1324A, Brooklyn, NY, 11205.
FAQ
What is the size of the studio space?
Our studio is a 1,050 sq ft space (12 ft ceiling height) divided among 6 to 8 artists, providing approximately 105-140 sq ft of workspace for each artist plus 220 sq ft of gallery space. Studio spaces are assigned by our staff and negotiated among the artists based on the needs of each artist’s practice. Movable walls (8 by 8 ft) can be used to create different space layouts, giving artists the autonomy to configure the shared space.
Is the studio a work/live space or will I need to find accommodations when relocating to New York?
The studio is designted to artwork practice only. Artists are responsible for their own housing. Those who may need additional funding and support for housing accommodations should apply to other supplemental sources.
What sort of opportunities will I have to connect with the NY Art scene and present my work to the public during my residency term?
The UA residency offers artists various opportunities to introduce and share their work, including portfolio presentations, group discussions, in-person and online studio visits with guest visitors, field trips, and open studios. Also, exhibition opportunities are included for all members.
How many studio visits will I expect to receive during my residency?
On average, residency artists will receive 1 studio visits per term by curators, critics, art historians, or gallerists.
Can I share my studio slot with a collaborator or invite them to work with me?
The UA NYC Studio Program is designed for individual artists. Each studio slot is assigned to one artist and cannot be shared or jointly used by a collaborative duo or collective. However, enrolled artists may invite a guest (such as a collaborator or mentor) to visit the studio for up to 2 hours per 4-week cycle, as long as the visit does not disrupt other residents and is approved in advance by the Director of Operations.
What else does the UA residency offer?
In addition to the above, UA Residency staff provides technical assistance and supports project development through our equipment library and connects artists with specialized workshops in the Brooklyn Navy Yard. A dedicated online social network integrates resident artists with the UA worldwide network.
What are the residency cycles?
Each season, Winter-Spring and Summer-Fall, artists can choose to stay in the program for 1 to 5 four-week cycles. For specific dates, consult the current application form.
Does the UA Residency provide facilities and equipment suitable for working with materials such as ceramics, wood, metal, photo-video, etc.?
There are no special facilities provided by UA. We offer a 24/7 accessible studio space with a worktable, chair, and internet access. Artists are responsible for providing all the personal equipment or materials needed for projects created throughout the residency. Residents have access to our general equipment library for common use during the residency. We are happy to refer you to abundant artist resources and facilities in the Brooklyn Navy Yard and greater New York area.
My practice involves hazardous or airborne materials. Are there any limits on what materials can be used in the studio space?
Yes, the use of anything that produces fumes or strong odors, creates dust or small particles in the air, or contains any other potentially hazardous materials is NOT ALLOWED in the studio space. Examples include plaster dust, aerosol paint, styrofoam, etc.
What are the tuition fees for the UAR-NYC program in 2025?
The tuition fees for the UAR program in 2025 are as follows:
. 4-weeks: $3,300
. 8-weeks: $6,270
. 12-weeks: $9,405
. 16-weeks: $12,573
. 20-weeks: $15,089.25
Is there a security deposit required?
Yes, for UAR-NYC a $600 security deposit is required. The security deposit must be sent, in full, by bank deposit before studio access and contract signing. It will be reimbursed once the residency term is finished and the space is returned in the same condition it was given.
Does the UAR/ILAP have different tuition costs?
Yes, the UAR ILAP tuition is $2,800 per quarter (12 weeks); $5,200 per two quarters (24 weeks); $7,400 per three quarters (36 weeks).
Are artists responsible for securing their own funding for the fees?
Yes, artists are responsible for securing their own funding for the fees.
How is the fee structure determined?
Our fee structure is designed to cover infrastructural costs, ensure affordability, and provide fair compensation for our team and guests.
Is financial aid available?
Uncool Artist is a self-funded, artist-run organization founded and operated by artists. Since 2018, we have invested approximately $100,000 USD from our own resources to support artists through scholarships and subsidized access to our studio and programs. In the 2025 program, we will continue offering financial assistance while ensuring our sustainability and fair wages for our team. Additionally, we provide letters of acceptance to selected candidates and, when needed, offer flexible payment plans on a case-by-case basis.
Securing the necessary visas and travel documents for the International Residency Program is the responsibility of the participating artist. Uncool Artist is unable to offer specific advice or assistance in this process. For detailed inquiries, we recommend contacting the U.S. embassy or consulate in your home country.
Artists selected for the residency should promptly reach out to the U.S. Consulate or Embassy to obtain a visa. A B1/B2 visa, typically used for business and tourism purposes, is generally appropriate for attending the residency program.
UAR can provide a letter of acceptance for your visa application upon request. This letter is typically sufficient for obtaining a tourist visa (B-2) for entry into the U.S. However, please note that UAR does not provide visa sponsorship or support for other visa categories, such as an artist visa (O-1). Artists should ensure they have all necessary documents and meet U.S. entry requirements well in advance of the residency start date.
Q&A Recording: A Glimpse into UA Residency, NYC
If you have any further questions, please contact residency@uncoolartist.com.
In line with Uncool Artist’s fundamental principles, our objective is to offer outstanding connections and opportunities in contemporary visual arts. This is achieved through a residency program centered on camaraderie, a spirit of experimentation, the exchange of ideas, and a warm and inclusive atmosphere.
2024 RESIDENTS
Follow recent updates on our Instagram.
| Resident | Country |
|---|---|
| Jason Lam | Hong Kong |
| Llewellyn Skye | Australia |
| Ana-Julia Vilela | Brazil |
| Yinna Higuera | Colombia, Ecuador |
| Anika M. Kowalik | U.S. |
| Elina Nova | Netherlands |
| Sae Oh | U.S., Korea |
| Summer McCroskey | U.S. |
| Rosaline Dou | U.S. |
| Sherly Fan | U.S. |
| Victoria-anne Rosales | U.S. |
| Sigrid Luitsalu | Estonia |
| Ciel Miao | U.S. |
| Kaio Wu Hiu Nam | Hong Kong |
| Sigrid Luitsalu | Estonia |
| Mikaela Montenegro | Ecuador |
| Peilian Li | Switzerland |
| Sae Oh | U.S. |
| McKinna Anderson | U.S. |
| Wilson Orellana | Ecuador |
| Simla Iceli | Italy, Turkey |
| Sining Zhu | U.S., China |
Cuba
U.S.
U.S.
Serbia
Brazil
U.S.
U.S.
U.S.
U.S.
Bahrain and UAE
Brazil
U.S.
China


















“It was my first residency in this beautiful space with an intense interaction full of daily exchanges with other artists and curators with different and instrumental observations about my work. The experience was a watershed moment that changed my outlook on the way of looking at my practice.” – Thiago Boecan
“The Uncool Artist in Residency was very important for me cause I could live my work intensively! NYC is so full of references, a great place to see what’s happening and what happened. Excellent museums and galleries! I am in love with Brooklyn; I had a great time there. I am bringing with me a significant “baggage.” Thanks, Uncool Artist!” – Dani Cukierman
“The Uncool Artist in Residency was an amazing experience! It was very refreshing sharing a space with other accomplished artists and letting our ideas flow with one another. Carolina was very good at bringing in curators and other artists in the city to visit the studio so we could all discuss our journeys as artists and where the art world is today. Highly recommend this to any serious artists looking to boost their work and experience!” – Danny Starr
Uncool Artist Residency was a watershed in my work.
I got to know the visual arts scene in New York, occupy a studio in Brooklyn, and receive curators who contributed a lot with their views on my process. I visited exhibitions, museums, met artists from different countries, established exchanges and connections, and got to know and experience the city intensely. It was a period of experimentation, freedom, and growth, which till today reverberates and unfolds in other creative paths.
Lara Perl


UA residency was a time of deep introspection and inspiring communication. I felt a deep sense of community and was able to take my art practice to the next level. The residency was a good time to experiment and get valuable feedback. I was looking to expand my art practice as a glass artist and get new ideas - both the residency and city guided me in that. All in all, I felt I was in a good place. I think a residency is a necessary step in an artist's career and I'm glad I had it at UA.


My residency at UA was a much needed experience as it granted me access to a community and space, which I felt I was lacking prior. The mentors and curator were always available to guide myself and the other residents through meetings, critiques, and brainstorming throughout the process. I feel that because I was a part of this program, I was pushed to expand on my practice, question my motives, and operate in the world as a more intentional artist.


I have discovered so much about myself and formed connections with amazing artists in the program. Although I am a very busy person and my life is so chaotic, I feel like every time I had a discussion with the mentors it made me feel like I was on the right path again. Honestly the months I had with uncool artist brought me so much further than the years I spent in art school. I thank UA for the incredible work you put together to make this happen for us.



Uncool Artist and my participation in the ILAP community have pushed me to work on projects and ideas which have long been spinning in my head. I'm excited about the new work I am producing and the fully rounded experience of sharing my thoughts, researching, and communicating within a nurturing environment. I feel challenged and supported. I'm following the mission "just DO"!



Being part of ILAP was extremely important in my path as an emerging artist. Within Uncool Artist, I met artists from different places and different approaches and moments in their careers. The exchanges with these people continue to help me tread a place in the universe of contemporary art.
Understanding how to do an artistic project, the assembly of different categories of portfolios, and the critical monitoring offered by Uncool Artist, were things that helped me to understand how exhibition and market circuits work. Uncool Artist is an international community concerned to support its participants, always with a critical and considerate eye.



Uncool has been a tremendous opportunity and challenge to take my practice to the next level.
I have found a great community of artists that has allowed me to know better the creative artistic process, which is indispensable as a curator. It is an invaluable opportunity to hear from accomplished artists, curators, art fairs, and museums directors first-hand and in an intimate conversation setting.
All of this, topped with the synergy of a group of individuals working towards the common goal of being better art professionals, is what makes all the time, money, and efforts invested pay off!


Uncool Artist pushes me to go out of my comfort zone. It helps me understand that opportunities are out there, and I must be ready in all senses and see that I can create the chance I'm looking for. Understand the audience, be involved with the audience, storytelling, project my whole year... It is difficult to explain Uncool Artist in a few words because it is a whole new thing.



Uncool Artist has been an inspiring space with a hands-on approach to learning (by doing) that has been instrumental in my recent realizations as an artist.